July 17, 2019
You can use WP menu builder to build menus

1 of 13  

Description of Gargophias

The Thirteenth path is charged with the lunar kala.

Names: Gargophias, Amarantha, Hekashua
Gematria: 342, 393, 2429
Planet of Spirit: Moon
Qliphothic Pathway: 13/23 (Thagirion-Thaumiel)
Tarot of Tunnel: Atu XIII (High Priestess)
Force of Tunnel: Creativity; Reproduction
Siddhi of Tunnel: Clairvoyance; Divination During Lunar Eclipses
Atavism of Tunnel: Frog
Disease of Tunnel: Menstrual Disorders
Attributions: Amaranthe
Musical Note: G#
Letter of Tunnel: Gimel
Colors of Tunnel: Silver; Black
Magickal Numbers: 17, 41, 54, 84

Gargophias is the archfiend who inhabits the Qliphothic pathway between Thagiriron (Black Sun/Belphegor) and Thaumiel (Neptune & Pluto/Moloch & Satan). She is largely affiliated with necromancy, clairvoyance, divination, and self-deification. The necromantic practices which she imparts to the witch are of a singularly horrific and darksome nature.

Gargophias is an emissary of Hekate and a demon of femininity. Her name is translated to mean Lemurs. She is a spirit of chaos and the moon and she operates as a psychopomp, leading the witch through the portals and gateways of the astral plane. She is a harbinger of awakening—informing the witch of hidden knowledge and bestowing initiation upon her.

Gargophias is often paired with Raflifu. The aforementioned website likens Gargophias to a prostitute betrothed to a prince.

Gargophias hones the psychic powers of the witch and makes her causal goals bear fruit. She begets internal alchemy. She is of the nature of succubi, begetting vampyric power unto her disciple.

I found a pair of quotes from an Occult website, likely paraphrased, in my notes which read as follows: “Gargophias rules baratchian witchcraft. She waits for the witch to leap into the depths of sexual union— the mating of chaos and time. Dream interpretation, clairvoyance, and menstruation. With her dwell lemurs.” Second quote: “Gargophias’s tunnel is a mutation of the lunar current which results in lemurian children.”

Gargophias manifests with many different appearances: a blood-smeared corpse maiden with a white dress and a dislocated jaw, a demonic crone, an armored warrioress, a floating white head, a flower girl, and more, but she is always female, and her skin is generally corpse-grey or snow-white.

Gargophias rules over knot magick, binding spells, execrations, hexes, and death magick. She is the most faithful servant Hecate has, and she’s a direct link between you and her. She has all the knowledge of Hecate, and she can give it to you. She aids in the creation and use of egregores.

Frater 414 describes Gargophias in a male manifestation as “A figure, dark clothing, white face with odd tentacles flailing from the face.”

The tunnel of Gargophias is described in the Shadow Tarot of Linda Falorio as follows:

This 13th Tunnel is that of Not, Naught, the Great Negative, LA, Lilith, Lady of Night. It is the Tunnel of Sevekh, Kefekh, Khepsh of the Seven Stars. Here, She is depicted as Egyptian Ur-Hekau, Mighty One of Enchantments, gesturing to Her attendant Stars that mark the Stellar Gate into the Earth-web. Her power is of a particularly Feminine type of creation— parthenogenesis — self-fertilization —such as has been recorded in the earliest divine myths.

By the image-generating power of the back-brain, webs of dreams are spun from the miasma of the lunar flux which gushes from Her, spawning Lemurian horrors, spawning teratomas arising from that stratum of pre-human consciousness that stretched long ages before the epoch of Atlantis. Patiently, passively, apparitions build, as a pearl grows bathed in successive layers of the nacre. Thus World is dreamed into existence by the Ancient One who slumbers in the deeps of unknown Space.

Yet the Feminine knows that not all that lives has the right to continued life. This is the cruelty, the horror of existence, its ultimate irrationality, that the prerogative of the Goddess is culling. She reserves the right to kill Her offspring, to weed out the undesirable, those She finds somehow unfit for life. She cares not for our complaints, nor for solar concepts of “justice,” but bids us to laugh with Her at the irrational joy of mere existence, and to delight with Her in the Maya dance of dream illusions, that together She, and we, have spun.

Gargophias is an incredibly sexual demon. If you really interest her, you can expect to be dragged out of body in sleep and fucked regularly. This strengthens one’s connection to the spirit and makes it easier to communicate with them.

Frater 414 describes the lessons of this spirit and his/her tunnel as follows: “As he rows this canoe, he explains that this place is not all that is [or is not], but a veil. I learn that Nuit veils Herself to reveal Isis (or Babalon). All that we perceive is a veil of Nuit, take away those, and Nothing is left. So profound was this that I did not need further exploration. The veil is placed at the abyss; beyond that veil the truth is revealed. All objects are veils upon Nuit.”

Linda Falorio writes:

The need for working with the energies of Gargophias may be signaled by our experiencing in ourselves, or encountering in others, feelings and expressions of reverence for “life” for its own sake, without regard to use, form, function, Will, or desire. We may encounter an overly masculine, yang,  aggressive orientation to action on  the world, or, we may find that we, and others somehow find the ability to believe in the collective Dream as objective Reality. Sadly, there may be an accompanying inability to dream, or, the breakthrough of uncontrollable nightmares. One may experience lack of visual imagination, a lack of poetry, idealism, and romance in one’s life. There may be a sense of general creative drought that signals a lack of connection to the world of Spirit,  and that leads to a lack of ideals, a lack of hope and vision of the future.

Yet in the tunnel of Gargophias is the power of the Feminine, bringing us to God. Here is the non-reflective power of movement in dreams, the power of clairvoyance, and contact with Spirit Helpers. Here is the instinctive power of the artist to fashion living souls from the substance of their own ectoplasm. Magick is exuded from the inner core, abundant creativity up-wells from an inexhaustible inner Source.  Here too, is 21st Century science: space-migration, genetic engineering, tinkering with the archetypal blueprints of life’s proliferation. And here is the attendant possibility of spawning Frankenstein horrors based upon mutation of the DNA, those terrifying mutations of past and future selves, non-viable evolutionary dead-ends, such as the Nephilim wrought questing to create perfect worker-servants of the gods.

Danger and delight lie in the compelling temptation to turn one’s back upon the “objective” world, to become forever lost in a forest of alluring, solitary fantasy, pulled to dissolution in the waters of deep space, higher, higher, into the Void of the Absolute.

There are three different numerical values for Gargophias’s name (as their are various systems of Gematria) and they follow alongside their correspondences.

342, which is equivalent in value to the names of the demons Focalor, Bifrons, and Korson, as well as the Hebrew words meaning “sweet smell,” “path,” “way,” and “male genitals.”

393, which is equivalent in value to the Hebrew words for “freedom,” “trumpet,” and “maidservant/slavegirl.”

2429, which is equivalent in value to the Hebrew word for “justice.”

By the image generating power of the backbrain the World is dreamed into existence; thus we as artists create our own “preferred realities.”

The Shadow Tarot

“Now hath Nuit veiled herself, that she may open the gate of her sister.”

Aleister Crowley, Liber CCXXXI

“The Thirteenth path is charged with the lunar kala. The name of its shadow-guardian is Gargophias which should be vibrated or ‘howled’ in regular repetitions in the key of ‘G’ sharp. (Note 1: The liquid nature of this entity suggests that the evocation be accompanied by some stringed instrument such as the vine, the zither or harp.)…”

“The sigil of Gargophias shows an upright sword, with an eye each side of the blade, set over an egg and crescent. The sword is typical of the Woman as the first cutter in two . . . The two eyes represent the dual lunation, with emphasis on the periodic eclipse . . . “

Kenneth Grant, Nightside of Eden 

excerpted from . . .

The Shadow Tarot 

© Linda Falorio, 1995, 1998

Squatting on the sigil of Gargophias is the goddess Hekt, frog-glyph of extraterrestrial invaders from the Waters of Space in the vicinity of the Pleiades. These may be understood as representative of  amphibious atavisms that enter our dimension from the portal of the backbrain/ cerebellum. They are the Voltigeurs, the Leapers who traverse strange states of consciousness obtaining in the inverted dimensions on the backside of the Tree of Life.

This 13th Tunnel is that of Not, Naught, the Great Negative, LA, Lilith, Lady of Night. It is the Tunnel of Sevekh, Kefekh, Khepsh of the Seven Stars. Here, She is depicted as Egyptian Ur-Hekau, Mighty One of Enchantments, gesturing to Her attendant Stars that mark the Stellar Gate into the Earth-web. Her power is of a particularly Feminine type of creation— parthenogenesis — self-fertilization —such as has been recorded in the earliest divine myths.

By the image-generating power of the back-brain, webs of dreams are spun from the miasma of the lunar flux which gushes from Her, spawning Lemurian horrors, spawning teratomas arising from that stratum of pre-human consciousness that stretched long ages before the epoch of Atlantis. Patiently, passively, apparitions build, as a pearl grows bathed in successive layers of the nacre. Thus World is dreamed into existence by the Ancient One who slumbers in the deeps of unknown Space.

Yet the Feminine knows that not all that lives has the right to continued life. This is the cruelty, the horror of existence, its ultimate irrationality, that the prerogative of the Goddess is culling. She reserves the right to kill Her offspring, to weed out the undesirable, those She finds somehow unfit for life. She cares not for our complaints, nor for solar concepts of “justice,” but bids us to laugh with Her at the irrational joy of mere existence, and to delight with Her in the Maya dance of dream illusions, that together She, and we, have spun.

MEDITATION:

The need for working with the energies of Gargophias may be signaled by our experiencing in ourselves, or encountering in others, feelings and expressions of reverence for “life” for its own sake, without regard to use, form, function, Will, or desire. We may encounter an overly masculine, yang,  aggressive orientation to action on  the world, or, we may find that we, and others somehow find the ability to believe in the collective Dream as objective Reality. Sadly, there may be an accompanying inability to dream, or, the breakthrough of uncontrollable nightmares. One may experience lack of visual imagination, a lack of poetry, idealism, and romance in one’s life. There may be a sense of general creative drought that signals a lack of connection to the world ofSpirit,  and that leads to a lack of ideals, a lack of hope and vision of the future.

Yet in the tunnel of Gargophias is the power of the Feminine, bringing us to God. Here is the non-reflective power of movement in dreams, the power of clairvoyance, and contact with Spirit Helpers. Here is the instinctive power of the artist to fashion living souls from the substance of their own ectoplasm. Magick is exuded from the inner core, abundant creativity up-wells from an inexhaustible inner Source.   Here too, is 21st Century science: space-migration, genetic engineering, tinkering with the archetypal blueprints of life’s proliferation. And here is the attendant possibility of spawning Frankenstein horrors based upon mutation of the DNA, those terrifying mutations of past and future selves, non-viable evolutionary dead-ends, such as the Nephilim wrought questing to create perfect worker-servants of the gods.

Danger and delight lie in the compelling temptation to turn one’s back upon the “objective” world, to become forever lost in a forest of alluring, solitary fantasy, pulled to dissolution in the waters of deep space, higher, higher, into the Void of the Absolute.

Gargophias

The Call of Gargophias

The name of its shadow-guardian is Gargophias which should be vibrated or ‘howled’ in regular repetitions in the key of ‘G’ sharp.[1]

Magickal Chants

Gonjall Rothkontall Yonlathor Yellonkoth Gargophias
My Channeled Summoning Chant for Gargophias

Invito Mater Gargophias, Sanguinaria Praecantatrix
“I Call Mother Gargophias, Bloodthirsty Enchantress!”

Gargophias Baalat Tsalmaveth– Qodesh La-Amarantha
“Garophias, Ruler of the Realm of the Dead– Holy to Amarantha!”

Amarantha, Gargophias, Hekashua
The Names for Gargophias Arranged Into a Chant

Cio Gargophias Dia Elecebra– Vorsipellis, Venefica, Et Vates
“I Call Gargophias, Numinous Seductress– Shapeshifter, Witch, and Prophetess!”

The Sigil of Gargophias

Her sigil should be painted in silver on a black circle.

The Gematria of Gargophias

Her number is 393, a number of supreme importance in the Draconian Cult in its Thelemic phase. The number 393 contains the number 39[2] and 93[3]. The obverse path is concerned with AL, while the tunnel here treated is concerned with LA. Furthermore, 3+9+3 =15 = Atu XV, The Devil; and 393 is thrice 131, the number of Pan and of Samael[4] whose wife is the elder Lilith, the lady of Night, or Not, the Great Negative. 393 is also the number of ShPhChH, the typical concubine or whore who later became Sefekh, the consort of Thoth. Sefekh means the number seven; she is therefore an image of Typhon.

According to Gerald Massey, Sefekh is a survival of Khefekh or Khepsh of the Seven Stars, once worshiped at Ombos as the ‘Living Word’. By the later, solar cults she was abhorred as the Great Harlot. The word khepsh means, literally, the hinder thigh, a symbol of the vagina which is itself an image of the Primeval Typhon, the Mother of Set. She typified the first parent known at a time when the role of the male in procreation was unsuspected. Because she had no consort she was considered to be a goddess without a god, and her son – Set – being fatherless was also godless and was therefore the first ‘devil’,[5], the prototype of the Satan of later legends.

Further, 393 is the number of Aossic.[10] The ‘missing’ or hidden 4 is the Venusian Circle at the heart of the sigil of Aossic.

In this sigil the Goddess is concealed because she abides above the Abyss on the path joining Chokmah and Binah.[11] The integers of 393(3+9+3) total 15; 1=5=6, the number of the sun. The integers 3 x 9 x 3 multiply to 81 = 9= the number of the moon.[12] 393 multiplied by itself produces the number 154449. Notice the persistence of the number 15 (Atu XV) which is attributed to Baphomet, the Devil, and therefore to the God Set. The number 444 is that of the Brazen Khepr-ta, the frog-headed god of earth.[13] The number 9 is that of the moon and of Yesod, the place of the secret-ion of the Yezidi.[14]

Astro-symbolically, 393 is Saturn-Luna-Saturn, the Moon warded on either side by the God Set. A remarkable property of the number 393 is that it reduces to Unitym viz : 3 into 9 is 3; 3 into 3 is 1, which is AChD, 13, ‘Unity’. Aplying the full formula of the Pentagram (i.e. 5 x 5 = 25) to 393, the Key Number of the Great Work is obtained : 393+25=418.[15]

393 is less 666[16] by 273, which is the number of AVR GNVZ, the ‘Hidden Light’, and of ABN MASU HBVNIM, the ‘stone which the builders rejected’; also of ARBO, meaning ‘four’, in this case the ‘hidden light’ of the door (daleth) at the heart of the sigil of Aossic.

393 is less 718[17] by 325, which is the mystic number of Mars, the planetary vehicle of Ra-Hoor-Khuit, and of NORH, the virgin or damsel equating with the Goddess Kali in her lunar aspect. The persistence of the number 9 is also remarkable.

393 multiplied by 3, the number of units of which it is composed, equals 45, and 4+5=9. 454=ADM, ‘man’, ‘species’, composed of ‘A’, breath or spirit and DM, blood, the mystical lunar liquid. 45 is the mystic number of Yesod; it is also the number of MAD, the Enochian word for God, while the series of numbers from 1-9 (i.e. 45) is the number of AGIAL, the Intelligence of Saturn or Set, and of AMD, the Fool.[18]

 

The Animal Correspondence

One of the totems of Typhon was the Dove. This was continued by the solar cults where it typified the male bearer of the ruach or creative spirit, attributed to the element air. The dove depicted on the Great Seal of the Ordo Templi Orientis (O.T.O.) is the Typhonian bird of blood, an dit can be shown by gematria that the emblem contained in that seal are qabalistically equivalent to the number 393.

The all-enclosing vesica is the Venusian Door[6]– Daleth – which is the number 4. The eye[7] in the triangle or pyramid of Spirit[8] is 370. The Dove, Holy Ghost, Geist or Gust[9] denotes the element air and the letter Aleph,1. The Graal or Chalice into which the dove dives is represented by the letter Cheth, 8; and the Yod within it, the secret seed or bindu at the heart of the yantra, is 10. The total numeration is thus 393.

The Thoth Tarot Correspondence: The Devil

Her number is 393, a number of supreme importance in the Draconian Cult in its Thelemic phase. The number 393 contains the number 39[2] and 93[3]. The obverse path is concerned with AL, while the tunnel here treated is concerned with LA. Furthermore, 3+9+3 =15 = Atu XV, The Devil; and 393 is thrice 131, the number of Pan and of Samael [4]

The Sigil of Gargophias

The sigil of Gargophias shows an upright sword, with an eye each side of the blade, set over an egg and crescent. The sword is typical of the Woman as the first cutter in two. The haunch or thigh constellation of sickle shape was the celestial symbol of Typhon which, in terrestrial terms is the vagina of the woman that divides and becomes two; the slit or bifurcating One. The two eyes represent the dual lunation, celestialy, and the two phases of the feminine cycle with emphasis on the periodic eclipse. The egg is three-quarters full, which indicates the nine months of gestation, the dry phase immediately preceding the deluge characterized by the outgush of the amniotic fluid. This aspect of the formula is latent in the egg and does not manifest until the 15th path, the Path of the Mother. The animal sacred to this kala is the stork (traditionally associated with childbirth), the dog, companion of the virgin huntress,[19] and the camel. The camel[20] is the chief totem of this path for it traverses the desert of the Abyss; it is the traditional ark or ship of the desert. Its humps contains the vital liquid of life that sustains the Adept during his crossing.

The 13th path is thus the path of the Virgin who contains within herself the unawakend potential of the wife who is ascribed to the next path. The position of these two paths – 13 and 14 – constitutes the Sign of the Cross. The Abyss is the place of crossing over from the world of appearance (phenomenon) represented by the obverse of the Tree, to that of dis-appearance (noumenon) represented by the hind side.

The Magical Power Correspondence

The magical powers of the kala of the moon include clairvoyance and divination. Not the kind of divination associated with the eleventh kala (q.v.) which issues ventriloquilly via the open womb, but divination by dreams emanating from the ‘sealed womb at night’,[21] i.e. when the lunar light is eclipsed.

The 13th, 14th and 15th kalas, resuming as they do the full formula of the female, form the Primal Cross or place of crossing over from the material world into the world of ghosts or spirits. The virgin menstruates an dis sealed, dark, unilluminated, unawakened; the wife or whore is open, awakened, her formula is love; the mother again is sealed, but after a different fashion for she brings forth what is shut in her womb.

The menstrual incense of the 13th kala assumes the forms of lemures. Although most lexicons derive this word ‘from the Latin lemures, pl. spirits of the dead’[22] the term connotes more than the ghosts of the departed, for the 13th tunnel is haunted by the ape-like teraomas spawned upon the 12th path which seep into the lunar miasma via the sleep of the virgin. Thus, the description given (in lexicons) of the terrestrial lemur provides a more exact definition : ‘kinds of nocturnal mammal… allied which Blavatsky drew much information, the atavisms of Lemuria[23] swarm upon this path 13 in monstruous shapes reminiscent of, yet vastly more hideous than, the natural lemur. Lovecraft hinted at them more than once and the idea of them prompted him to observe that : « …there is about certain outlines and entities a power of symolism and suggestion which acts frightfully on a sensitive thinker’s perspective and whispers terribles hints of obscure cosmic relationships and unnameable realities behind the protective illusions of common vision. »[24]

The unnameable realities are denizens of the tunnels of Set which swarm with the shells and shadows of things that have not yet been entitled but which tend to become. Their subtle stresses in the ether are the mirrored – yet unmanifest – latencies of the magician himself.

The fluid plasma of the astral light that permeates the tunnel is alive with potential that becomes manifest only when it comes to the surface of the Tree, splits into myriad forms, and swarms through the black hole in space represented by Daath, the Gateway to the Abyss. The manifestation of the non-manifest is effected, magically speaking, via the lunar current which characteriuzes the High Priestess of this kala in her vaginal, unawakened, or ‘dreaming’ phase. The verse in the grimoire applicable to this kala reads : « Now hath Nuit veiled herself, that she may open the gate of her sister. »

Not two women, but one only is implied by this statement. Nuit veils herself in sleep, i.e. she becomes virginal, menstruous, in order to open the gate of her sister – the gate of dreams. In a naturalistic sense the veil is the clothing assumed by primitive woman at the onset of puberty. In a physiological sense it is the unruptured hymen. When Nuit opens the gate she veils herself and is therefore able to divine by dreams seen in the mirror of magical sleep or trance. This is the sense in which virginity, or the state of ‘sleeping’, is here intended. In yet another sense, the opening of the gate refers to the gate of the mother of Path 15 (q.v.) wherein the unmanifest is made manifest as the birth of the child through the gateway of matter. But this is a later formula and belongs properly below the Abyss, whereas the Gate here intended is the Gate of the Abyss itself.

The Disease Correspondence

The disease typical of this path is not surprisingly subsumed under the general label ‘menstrual disorders’, but it should be understood that whereas this disease is applicable to the path, the corresponding disorders of the lunar current itself, and the consequent spawning of lemurian horrors. This is substantiated by the magical weapon of the path, the Bow and Arrow. In the Tarot Trump attributed to this kala, the High Priestess is shown with the bow and arrow across her thighs. The bow is also a glyph of the rainbow which has a direct mystical connection with the lunar formula.[25]

The Magical Tool Correspondence

The symbolism of the bow, as the emblem of Sothis, the Star of Set, and of the raindow, has been treated in detail in the seventh chapter of Kenneth Grant’s book Aleister Crowley and the Hidden God. Here it is necessary merely to note that in ancient Hebrew the name of the rainbow – qesheth or qashed is a qabalistic synonym of qadosh, a method of sexual magick involving the use of lunar current. This form of occultism is sometimes confused with homosexual techniques that are in no way cognate.

The Magical Formula of  Gargophias

The specific magical formula of kala 13 is ALIM,[26] the number of which – 81 – is the number of witchcraft presided over by Hecate, or Hekt, the frog-headed goddess. It is necessary to guard against interpreting the term witchcraft in its usually accepted sense, which does not pertain to these higher levels of the Tree. The real meaning of witchcraft is to be sought in the image of the frog which has a secret significance for initiates that is far closer to the concept of Lovercraft’s batrachian fantasies than is the purile assessment of the subject by medieval churchmen, witch-hunters and present day ‘revivalists’.

The Frog or Hekt was an early symbol of the transformer from aquatic to terrestrial life. It was chosen by the initiates of the Draconian Mysteries as a symbol of that which transformed in the waters of the abyss and came upon dry land. In other words, i twas a glyph of the invader from the ‘waters of space’, i.e. from the other side of the Tree. Furthermore, the frog’s curious leapings suggested the formulae whereby certain paths of the Tree could be crossed or vaulted[27] by Adepts of the ‘other side’.

The Egyptian Deity Correspondence

In Egypt the transformer as the Hekt was incorporated in the Ur-Hekau, the ‘Mighty One of Enchantments’[28] which was the prototype of the magical wand whereby the priest opened the mouth of the dead and transformed the mummy into a living spirit. Thus the ‘dead’ this side of the Tree became the khus or ‘living spirits’ the other side.[29]

The number of the Frog is 353 which is also that of NGSh, meaning ‘sexual intercourse’, from the Egyptian nak, ‘to fornicate’. The name Hecate means ‘one hundred’, which is the number of qoph, ‘thhe back of the head’, or cerebellum, where, as Crowley notes ‘the creative or reproductive force is primarily situated’.[30] 353 is also the number of the initials of the two magical instruments – the P(allus) and the K(teis) – which in conjunction engender the illusion of the universe.[31] The Frog, Hekt or Hekate is therefore the leaper or jumper in the sexual sense as well as in the mystical sense wherein the Adept uses the formula of the Voltigeurs at the back of the Tree.

The bow appears in connection with the earliest (i.e. the African) symbolism of the 13th kala where it is associated with the hunter in moonlight, Ochosé. The reference is to the lunar current. The two sacred lagoons, Togo and Once, are also symbolic of this kala. Togo, which means literally the ‘red water’ formed the basis of the Egyptian Pool of Punt or ‘Red Sea’. The lagoons played an important part in the administration of law in Africa. The earliest laws or tabus were connected with physiology and the phenomena of menstruation and the rite connected with its onset and subsistence. The ‘rite’ time thus became the right time (for sexual coupling), and infringements of tabus were visited with severe punishment. It is at this primordial level that the idea of guilt became associated with sexual intercourse. It should be understood, however, that the birth of ‘sin’ which occurred at such an early period in the evolution of sociology was the actual beginning of ‘time’ itself, in the sense that menstruation was once of the first signs of a period, or cycle of time, noted by primitive man; the earliest probably being light and dark, day and night. It was after these observations, not before, that the division of the year into periods became increasingly more detailed and complex. The recurrence of physiological phenomena was primary an dit drew mans’ attention to the recurrence of celestial phenomena. Firstly, the stellar appearances and disappearances, risings and settings; then the lunar phases; and finally the solar cycle, when time became fully evolved and the year as we know i twas calculated.

Prior to the earliest observation of physiological phenomena, that is when time was not known, much less registered, Chaos reigned. But, inevitably, the forces of chaos were drawn into the vortex of time, and mythology contains accounts of the conflicts that raged between the giants of the abyss which occurred outside time and which had elemental types as their vehicles[32] and the new types that were established in the form of stellar, lunar, and finally solar deities. The latter were the kronotypes, the gods of time or chronology. All these were anthropomorphized and became the various gods and goddesses that were finally attributed to the planets, which were considered as the vehicles of their powers. Hence the first ten paths of the Tree are attributed to Earth, Luna, Mercury, Venus, Sol, Jupiter, Mars, Uranus, Neptune, Pluto. The 13th kala is thus essentially and very peculiarly the kala of Kali (time), and of Chronos or Kronos and the Knonotypes.

1 of 13  

billwallace

No Comments

Leave a Comment